Monthly Archives: July 2009

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Machu Picchu Peruvian Food in Lake View

After the seeing Blackbird at Victory Gardens Theatre, Sean and I headed over to Machu Picchu Restaurant. While Sean had tried Peruvian food once before, this was a first for me. The food was excellent, and I definitely want to go there again. One of the great things about dining with Sean is that he is also a foodie, and he is open to new food experiences, so this was the perfect venue for both of us.

Our meal came with bread, which was good, and a dipping sauce. The dipping sauce was a light green, very garlicky and very hot, and quite delicious. If our appetizers hadn’t arrived I might have made it into a mini meal. One of the interesting thing about the menu is that there were many items that included soy sauce. The owner mentioned that Peru had a small Chinese population.

From what I understand, many Chinese immigrants came to Peru and replaced the low cost labor needed after slavery was ended. Japan’s immigrant population from the late 1800′s would most likely have fallen under similar requirements they had for US immigrants: that anyone who immigrated was considered a representative of their nation, and thus were required to be educated at least through high school and have other traits deemed suitable to represent their nation which was, at the time, vying for global recognition. So in general there were two influential subcultures that became a part of the Peruvian country and culture, which is largely mestizo. It is interesting to note that although both subcultures came to Peru under decidedly different circumstances, and both appear to have made substantial socio-economic inroads.

We began with two appetizers. The first was Tamal Peruano, which is ground maize filled with pork, egg, olives and nuts wrapped in a banana leaf served with salsa criolla (marinated onion salad). And yes, the tamale looks huge because it is huge! It was delicious, and very filling. While I normally don’t eat raw onions, they were a good compliment and the marinade took away some of the issues I usually have eating them raw.

The other appetizer we ordered was called Choclo Con Queso, which was Peruvian corn with fresh cheese and served with huancaina sauce. And no, your eyes are not deceiving you. The corn kernals were very large. Taking the corn off the husk and eating it with the cheese pieces, covered with the huancaina sauce was delicious.

For a beverage, I ordered Chicha Morada, which is an extract of purple corn with clove and cinnamon. Sean found it too sweet, and while I normally don’t like sweet beverages, I loved the combination of flavors in this beverage.

For our main entrees, Sean ordered the Lomo Saltado, which was sirloin steak strips sauteed with onions, tomatoes and french fries, and served with white rice. The fries were sauteed with the meat and vegetables, giving them more flavor.

I had ordered the grilled filet mignon, which came with grilled seasoned vegetables and diced potatoes seasoned with aji panca (chili). The potatoes packed quite a punch. The meat and vegetables were excellent.

For desert, our waiter recommended Alfajor, a sweet biscuit filled with blancmange. I had meant to order maduras platanos with our appetizers, but forgot, and it was just as well because I don’t think that Sean or I could have eaten another bite. We struggled to finish the dessert. It was a perfect way to finish the meal, with a hint of sweetness and the taste of a cookie.

Besides great food and excellent service, one of the other benefits of dining at Machu Picchu are their hours. They are not only open for lunch, but they are also open during the afternoon, during that difficult time when most restaurants close until 5. We had dinner here at 3:15 PM.

Machu Picchu
http://www.machupicchuchicago.com/
3856 N. Ashland
773 472-0471

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Blackbird with William Petersen and Mattie Hawkinson

I’ve just returned from seeing Blackbird at Victory Gardens Theatre on north Lincoln Avenue. For anyone who is unfamiliar with the play, it stars William L. Petersen (yes, of CSI fame) and Mattie Hawkinson. The story is about two people who had a relationship 15 years ago that has defined their lives ever since. Ray, at age 40, had a sexual relationship with Una, who was only 12 years old at the time.

Playwright David Harrower commented in the Playbill, “I want to know what it’s like to be in that situation and to justify it to yourself.”

It is an intense play, running between one and 1.5 hours. The set is appropriate, minimal and utilitarian, yet provides a backdrop for a bit of comic relief borne of 15 years of built up issues. What makes this so interesting is that we hear both Ray and Una constantly confront each other and tell what they believe was the reality of their experiences those 15 years ago, as each fills in the gaps for the other.

Oddly some of the funniest comic relief came before the play, as Petersen reminded the audience to shut off all cell phones and pagers, and to unwrap all candy wrappers. So while most people would make sure they quieted down, the woman next to me seemed to take that as her cue to then proceed to rifle through her purse for what seemed like an endless amount of time. I was ready to tell her, “Enough already!”

Like most traumatic experiences, often only pieces are remembered by each person. During the course of the play and the ensuing confrontations, a gradual truth begins to emerge. Whether one feels the need to judge others, or they prefer to assess the events that transpired without judgement, you cannot leave the theatre without feeling like you have witnessed two people struggling to understand themselves, their feelings for each other in the past, their actions and where they are in the present.

Blackbird provides a look at how the intersection of two people’s lives changed forever with one event, and not only how Una, the victim continued to suffer but also the mental and emotional effects that Ray’s actions had on himself. The play is also not without a surprise toward the end, which is fitting when one considers the complex range of issues and emotions that are brought to bear during the play.

Sean and I attended the play, and he summarized the concept well when he said, “As a man, I cannot understand how anyone could get themselves involved with a 12 year old child.” That, dear reader, is the crux of the issue with any case of child sexual abuse and under aged sex. Some people have no sense of boundaries.

As for the acting and direction, everything was superb. It was an incredible experience to see William Petersen live, and a joy to watch up and coming star Mattie Hawkinson.

Blackbird
Victory Gardens Theatre
2423 N. Lincoln Avenue
http://www.victorygardens.org/

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Watch the Chicago City Council in Action July 29th, 2009

On Wednesday, July 29th, 2009, once again the Windy Citizen will be hosting its monthly Watch the City Council in Action event. As usual, there will be a post on the Windy Citizen so that Citizens can watch the meeting, broadcast via live streaming video on the City Clerk’s website, and comment real time.
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If you are a City news junkie, or love politics, or both, then come join us as we watch our City Council in action. In the past, commenters have provided links to the topics being discussed.
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You can catch the proceedings here: http://www.chicityclerk.com/ and join us at the Windy Citizen. Check the Windy Citizen Wednesday morning just prior to the meeting and you’ll find the thread. See you all there!
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Phil and Sons Gas Station and North Center Gentrification

Thursday I was in North Center, and as I passed Berteau on Lincoln Avenue, it was apparent what was going up in the lot that has been vacant now for a few years.

In a way, it made me a bit sad to see condos going up in a space that used to be a neighborhood gas station, one that still served the neighborhood when I first moved into the Lincoln Square/Ravenswood neighborhood. The area has changed quite a bit since I first moved here, and when a neighborhood gentrifies, well, things change and often the old is forgotten.

If you go by the lot where it will soon to be replaced by condominiums, you will notice that old gas station is still standing, but the old neon sign is missing. It is missing because because Phil Berman, whose family had owned the station for 50 years, had donated it to the Goodman for their production called “Gas for Less”, a play inspired by the Phil and Sons Gas Station.
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According to Time Out Chicago, “Berman, whose father bought the station in 1955, provided the Goodman with all the Gas for Less memorabilia they could ever want, from restroom signs and equipment to canceled checks, and arranged for Neveu, director Dexter Bullard and others to tour the station … (The sign eventually ended up with the American Sign Museum in Cincinnati.”

So life goes on, things change, but best of all, some things will be a piece of local history.

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Nescafe Dale Color a tu Cafecito Mugs

Well, it certainly took long enough but I finally received my Nescafe Mugs. This was part of a cultural marketing campaign for Nescafe. The concept was good, although the execution at the consumer level was a little lacking, based on the difficulty I experienced in sending in for my mugs.

After hearing about this project from Pilsen Artist Robert Valadez, I went to the store to buy the required Nescafe items so I could send in the UPC codes, only to find that there was no mention of the campaign and how to go about ordering the mugs. Since I live on the north side of Chicago, I thought that perhaps a trip to one of Pilsen’s grocery stores would have the offers on labels of products sold there, but that, too, proved to be a dead end. I ended up emailing their office in the US, since I found nowhere on their website to download the form. It took them a fairly long time to provide me, by snail mail, with the information to order the mugs.

That being said, for $4.50 plus two appropriate UPC codes, I finally received my Dale Color a tu Cafecito Mugs which you can see here.

In it of themselves, they are nice looking small mugs, and I love the images they have on them. The images were to provide touches of four States in Mexico: Veracruz, Oaxaca, Xochimilco and Guanajuato. You can see the Chicago mural prior to completion and more information about the campaign here.

Part of the mural shows the vibrancy of the colors he used, something that as nice as the mugs are, they unfortunately do not replicate. The Chicago mural images pop when you see the actual mural, but seem rather flat and lack the upbeat look of the one at Casa Aztlan. Still, they are great little mugs!

Coffee, anyone?

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Old Town School of Music Folk Roots Festival 2009

Sunday, Pedro and I went to see the Old Town School of Folk Music Roots Festival at Welles Park. My favorite parts of their festival often center around the Nuestra Musica area, which this year was right at the south entrance at Montrose. With murals prominently displayed, it didn’t take long for me to whip that camera out!

On the west side of the southbound entrance was a mural for willing hands to pick up a brush and fill in the blanks.

Here’s a close up:

We arrived just in time to watch Maribel Castro’s corn masa making demonstration. She starts out by grinding the corn with the roller, ending up with the masa ball that you see in the bowl.

The next step was taking some of the masa and forming into a smaller ball, and then putting it on the tortilla press, which this child did:

I’m glad I was still full from breakfast, because watching fresh tortillas being made would normally get me very hungry, and wanting to leave for a taco. If they had a comale, I would have been gone! Pedro wanted to get a fresh lemonade, which he treated me to (gracias, Pedro!), and while we were standing and drinking our lemonade, we noticed some interesting booths including one that sold coffee horchatas and another that sold churros.
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If you’ve never had a nice, hot churro, you should know that it should be one of the main foods on the food pyramid. ;-) I chose the strawberry one. It was wonderful!

At the Sunnyside part of the festival was the Staff Stage, where the drumming was lively. I think this was the Seams performing during that time.

Next, we headed over to the Dance Tent, where Waltz Across Chicago was performing. It looked like fun, and unfortunately we didn’t stay until 2:40, when they were featuring Simbolo Norteno. Still, it looked like people were having fun.

We went to visit artist Cindy Tomczyk at the Kid’s Art Tent was, and everyone looked like they were having fun!

Back on Lincoln Avenue, the puppet show was being performed. As we were approaching it, a woman gave the puppets a $1 tip and so here you have them fighting over it.

Back at Nuestra Musica, Umbral Ecuadorian Andean Music was performing — great stuff!

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We watched Ruben Gerena, of Nuestro Tambo, show us how to make a bomba (drum). I hope to have more on Nuestro Tambo soon.

We decided to leave via the Sunnyside exit so that we could catch the Staff Stage again, and we were delighted to hear Lanialoha perform Pacific Island music.

I am very glad that I went back home to put running shoes on (it was lovely with my navy blue dress from Anthropologie). Originally I left to meet Pedro with a cute pair of strappy sandals, only to turn back home and change to more practical shoes. We did a lot of walking, heard a lot of great music, and saw many interesting sights. My feet thank me for going with more sensible foot comfort.
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And what is it that sticks in my mind so much? Okay, the cute guy drumming for Lanialoha (Jen, you would have loved him!), one of the Umbral musicians, the freshly made tortillas and those churros! And what did I miss? Chuy Negrete — I was hoping he’d be here this year.
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Caribbean Handmade Drums in Chicago – Nuestro Tambo

Do you like Latin music, especially the music of the Caribbean, and you just have to know how these drums are made? Right here in Chicago, you can buy hand made bombas (drums) from Nuestro Tambo.

On Sunday, July 12th, I was at the Old Town School of Folk Music Folk Roots Festival, where Ruben Gerena was available for a drum making demonstration. He starts with the formed drum body, sanding the outside so it is smooth.

The other pieces shown include the skin, which can be goat skin, which is soaked and then stretched thin over one of the metal loops that you see in the photo. I’ll leave out many steps here, but the result is a hand made drum such as the finished ones in the photos. There are two different tuning styles, the one on the left being more fixed in nature, and Ruben pointed out that this is more appropriate for places like Chicago, where our weather and humidity vary. From my music playing days, I know that these factors can wreck havoc on trying to stay in tune, as cold weather and hot weather change the tonal quality of many instruments, as well as the ability to stay in tune.

You can learn more about purchase a hand made bomba (drum) by going to their website:

Nuestro Tambo

Plena y Bomba Music

http://www.nuestrotambo.org


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National Museum of Mexican Art

One of my favorite Chicago museums is the National Museum of Mexican Art, which I still think of by their previous name, the Mexican Museum of Fine Art. Whatever you prefer to call it, it is the perfect size to walk through, learn a bit of Mexican history and then end up finding yourself looking through their gift shop.

The museum was founded first as a concept in 1982, while founder Carlos Tortolero begins to develop the infrastructure of the organization. After the Harrison Park Boat Craft Shop was renovated, the Museum opened in March of 1987. Twenty two years later, it has become one of the nation’s finest museums of Mexican and Mexican American art, showcasing culture through art.

When you first walk into the main exhibit hall, Mario Castillo’s “Ancient Memories of Mayahuel People Still Breathe” may take your breath away. The brilliant colors and vivid imagery are stunning, and well, since there’s a bit of the artist in his work, he’ll be evermore.

This next piece is a retablo, or grand alter ensemble. The left row represents the spiritual aspect of the pre Cuauhtemoc, the right row the European Roman Catholic religion, and the center pulls together both world views, the result of 500 years of history.

The first time I saw La Leyenda de los Volcanes/The Legend of the Volcanoes, by Jesus Helguera, I was simply blown away. I felt as if some connection to my past had opened up in an inexplicable way. The piece, which is from a Private Collection shows the romantic romantic and idealistic was the way Mexicans in the 1940′s looked back at their ancient and glorious indigenous history.
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Artists such as Jesus Helguera influenced Mexican popular culture with heroic scenes of a proud and triumphant race in a way that is stirs the soul, no matter what your ancestry is. He is credited with helping many Mexicans embrace their indigenous roots. His work was also vastly popular as calendar art, as shown below.

This lady is from a Day of the Dead (Los Dias del Muertas) exhibit. During the Day of the Dead, ancestors and deceased loved ones and friends are honored. It is not uncommon to have a mariachi band at the grave of a departed one, as their life is both honored and celebrated. The Japanese also do something similar, called Obon, and in both cultures, an altar with items to honor their loved ones also stand testament that they live on in the hearts and minds of friends and family.

This bag was done in honor of one of the many women of Juarez, victims of poverty and circumstance, and testament to corruption and the powerlessness of the many women who lived and then died there under violent circumstances. NPR has a short piece on this. Reporter Theresa Rodriguez’s Daughters of Juarez is a must read for anyone who is serious about learning about these crimes against women, whose only blame seems to be that most of them were poor and women.
One of my favorite exhibit is the one below, which you will need to see in person to view the detail of each frame. It shows the many faces of Mexico in the many areas of Mexico. There are families who are clearly indigenous, families who look more European, families of Japanese Mexican descent, the middle class, the wealthy and the poor – they are all the faces of Mexico.

One thing you will notice as you walk through the main gallery is that the art is displayed in a timeline. You will be brought through the colonial period, reformation, and eventually you will find your self also looking at the Mexican Experience in the U.S. Like all immigrants, second, third and beyond generations are acculturated, however those who are people of color will have a markedly different experience that most Caucasians, and a history that they share mostly with people of color in that it is one of discrimination that is based on the way they look. So moving into the mid 1900′s almost seems to catapult you into another piece of history, Cesar Chavez and the United Farm Workers.


One of my two favorite pieces toward the end of the walk through are near opposites in their feel. One is called “Savages and Glitter” by John Valadez, which shows the Indigenous foundations of the Mexican and eventual transformation to modern day life.

And in parting, this joyful piece is simply, Quinciera.

1852 W. 18th Street
Chicago, IL 60608
312 / 738-1503
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The Magic that is LOVE

It’s Tuesday night and I finally had a moment to myself. As I was going through my emails I glanced over at a framed photo of my sweetie. Ever think of someone you love dearly and the thought of them just brings warmth to your heart and a smile to your face?

For a brief moment, I forgot how exhausted I am, how sleep deprived I am, and I forgot about all my physical pains, my medical issues and all my other problems. For a brief moment when I thought of Mr. Guapo Novio, I felt joy and a connection of the heart. Now if we could only bottle that feeling and drink from it all day long, this world would be a different place. That man rocks my world, what can I say?

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FALSE arrest: If this can happen to a Chicago Police Officer, it can happen to YOU! Craig Davis’s double nightmare

One day after work, Craig Davis found himself arrested: handcuffed, fingerprinted, photographed for his mug shot, and thrown in jail. The suburban police department involved filed a false report, later expunged by court order, but Officer Davis, a Chicago Police Officer, remained stuck in Unit 376 for over 20 months. Why and what is Unit 376 and why should we care?

In May, the Chicago Fraternal Order of Police filed a class action grievance on behalf of all Officers who have been assigned to Unit 376. Unit 376 is where Police Department relocates Officers who are in limbo, waiting to be cleared of some serious charge or if found guilty, fired. Officers report for duty there and for those who were already cleared legally but stuck in the IPRA cog, they function under employed and unable to return to the streets. What is the reason for being in limbo? They are waiting for the IPRA (Independent Police Review Authority) to get around to clearing or sustaining the charges against them.

IPRA was created in 1974 and in 2007 became an independent city department. Per their website, IPRA performs the intake function for all allegations of misconduct made against members of the Chicago Police Department “… Headed by a civilian Chief Administrator and staffed entirely with civilian investigators, IPRA is charged with the mission of maintaining the highest level of integrity while conducting objective, thorough investigations, striving to reach a sound and just conclusion … ” So what is the problem? IPRA isn’t moving all that fast to clear Officers who shouldn’t even be there, where allegations of wrongdoing are clearly false.

The IPRA backlog is not a big secret. Per the Fraternal Order of Police, Chicago Lodge 7 website 5-08-09: (http://www.chicagofop.org/cu050809.html) “Several have made requests to have their police powers restored and sent back to their units of assignment to no avail. The Lodge has said that enough is enough and has filed a class action grievance on behalf of all officers that have been involuntarily assigned to Unit 376.”Now take a look at the nightmare that Chicago Police Officer Craig Davis has endured. On October 24, 2007 at around 11:00 PM, Officer Craig Davis had finished work for the day, and was still in uniform. He went to the home of someone his wife knew, looking for her. The wife’s friend called the Burbank Police to get rid of him. Davis was trying to leave anyway, but his wife was physically blocking his vehicle.

When the Burbank Police arrived, since he was still uniform and carrying, Craig Davis identified himself as a Chicago Police Officer, and from that point on, his life was turned upside down. According to the then Mrs. Davis, the Burbank Police lied to her, telling her that it would be better for him if she filed a complaint and both Mr. and Mrs. Davis understood that this was considered a “domestic incident.”Before you could say, “Barney Fife,” Officer Craig Davis was arrested and thrown in jail. The charge by the Burbank Police Department was for “domestic Battery:” hardly representative of the “domestic Incident” they were told was the complaint. Basically Craig Davis was arrested for arguing with his then wife in public. Freedom of Speech be damned.

For all of us civilians out there, what you may not know is that whenever a Chicago Police Officer is charged with anything that smells of a criminal nature, no matter how innocent they are of the matter, they are immediately stripped of their Police powers. Craig Davis was no exception, and he was stripped the next day, October 25th, 2007 at around 1:00 AM.

Despite being estranged, his now ex wife went to court for him to testify on his behalf. On October 29, 2007 in the Circuit Court of Cook County, Criminal Division, before the Honorable Judge James J. Ryan, gave the order to Expunge the records from both the Burbank Police Department and the Illinois State Police Department and to seal the records. In March of 2008 Craig received a letter stating that his records were now officially expunged.

In June of 2008, well after he was cleared of any criminal wrongdoing, IPRA, the Independent Police Review Authority, finally got around to interviewing Craig Davis. By June of 2009, 15 months after Judge Ryan cleared Craig Davis of the false charges that caused him to be put into CPD limbo, and 20 months after his encounter with the Burbank Police Department, he still remained “in limbo.” When I first met Craig Davis, I remember that one of the first things he said was how much he missed being on the street. Don’t we want Police Officers on the street who really love their job?

Officer Davis has had a unique experience: he had to deal with an allegedly false police report (Burbank Police), being cuffed and arrested at gunpoint, fingerprinted, photographed, thrown in jail, and then going through the criminal court process as a ‘criminal’ before being cleared of all charges. So I ask, why should you care? This should frighten and alarm all good citizens, because if this can happen to a Chicago Police Officer, it can happen to anyone. It can happen to YOU.

So who is Craig Davis? He’s a Christian man, and I say this because he takes his religion and his calling seriously. He feels that God has led him to Chicago for a reason: to serve. Besides being a man devoted to God and Christ, he’s a father of an adorable son from different marriage unrelated to the woman noted before, and is working on an MBA. Anyone that knows him also knows he loves Morrisey.

Craig Davis is also the first in his family to be a Chicago Police Officer, so unlike Mike Mette, he had no police father with friends who can also help put the pressure on to get his situation out in the news media. Craig Davis is also not a Chicago born and bred native, so he lacks the network of family, friends and mentors that native Chicagoans and especially native Chicagoans who become Chicago Police Officers often would turn to in this type of situation.

In essence, Craig Davis was just an ordinary guy who seems to have gotten jammed up by some people on a power trip, and this has cost him his ability to provide for himself and his family in the manner he normally would. Even more alarming is that despite having his name cleared, he was still stuck in Unit 376 limbo until July 6, 2009. If this were you, after the courts cleared you of any wrongdoing, and expunged your records, you would have been back in your job a lot sooner.

On April 7th, 2009, Chicago Tribune reporter David Heinzmann referred to another officer who “languished in the 311 callback center’s purgatorial assignment for tainted officers for more than two years.”

This article was in final draft form when I received a message from Craig that IAD (Internal Affairs Department) had just contacted him and he now has his Police powers restored, will be reporting back to the Academy and he looks forward to returning back to being a Chicago Police Officer, doing the job he loves.

And yes, Unit 376 = the call center 311. Like the numbers, the delay is bad math.

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